Swedish 1860-1920 Swedish painter, etcher and sculptor. He was brought up by his grandparents at Mora. As he displayed a precocious talent for drawing he was admitted to the preparatory class of the Kungliga Akademi for de Fria Konsterna, Stockholm, at the age of 15. Dissatisfied with the outdated teaching and discipline of the Academy and encouraged by his early success as a painter of watercolour portraits and genre scenes (e.g. Old Woman from Mora, 1879; Mora, Zornmus.) Zorn left the Academy in 1881 to try to establish an international career. He later resided mainly in London but also travelled extensively in Italy, France, Spain, Algeria and the Balkans and visited Constantinople. However, he continued to spend most of his summers in Sweden.  Related Paintings of Anders Zorn :. | Unknow work 126 | I Top Capu | Unknow work 23 | Studio Idyll | prins eugen |
Related Artists:
Marten van Cleve
Flemish, 1527-1581,Brother of Hendrik van Cleve III. His presumed date of birth is derived from a document of 2 April 1567 in which he declared his age to be 40. In 1551-2 he became a master in the Antwerp Guild of St Luke and, according to van Mander, followed his brother into the studio of Frans Floris. If this is correct, it was probably c. 1553-5, for motifs drawn from Floris's work appear in Marten van Cleve's paintings executed during these years. Marten married Maria de Greve on 7 January 1556, apparently setting up his own studio at about the same time. Apprentices are regularly recorded from 1558 onwards, and it is probable that his own sons, Gillis II, Marten the younger, Joris and Nicolaas, also worked in the studio. Throughout the 1560s and 1570s Marten van Cleve's workshop was very productive, but the majority of works painted consisted of copies of his own originals. Van Mander's statement that the artist collaborated with a number of landscape painters, including his brother Hendrik III, Gillis van Coninxloo III, Gillis Mostaert and Jacob Grimmer, is confirmed by 17th-century inventories.
Hercules Seghers
1590-1638 Dutch Hercules Seghers Gallery Hercules Pieterszoon Seghers or Segers (c. 1589 ?C c. 1638) was a Dutch painter and printmaker of the Dutch Golden Age. Segers is in fact the more common form in contemporary documents, and was used by the painter himself (modern use is about equally divided between the two). He was "the most inspired, experimental and original landscapist" of his period and an even more innovative printmaker. He was probably best known to his contemporaries for his paintings of landscapes and still-life subjects; his paintings are also rare, with perhaps only fifteen surviving (one was destroyed in a fire in October 2007 ). The Stadholder, Frederick Henry, Prince of Orange bought landscapes in 1632. Many of his painted landscapes are fantastic mountainous compositions, whereas in his prints it is often the technical approach rather than the subject which is extreme. His painted landscapes tend to show a wide horizontal view, with emphasis on earth rather than sky; two in the Gemäldegalerie, Berlin had strips of sky added at the top later in the century to meet a changed taste. Apart from Coninxloo, Seghers drew from the Flemish landscape tradition, perhaps especially Joos de Momper and Roelandt Savery, but also the "fantastic and visionary aspects of Mannerist" landscape painting. A 1680 inventory of Jan van der Capelle, who owned five paintings by Seghers, describes one as view of Brussels, which if correct would presumably mean Seghers travelled there, probably when young, when his style shows most Flemish influence (in so far as the chronology of his work is clear).
Hiroshige, Ando
Japanese Ukiyo-e Printmaker, 1797-1858 Japanese painter and printmaker. He was one of the greatest and most prolific masters of the full-colour landscape print and one of the last great ukiyoe ('pictures of the floating world') print designers